Moving

I am in a new apartment, one that's quite roomier than my current home, but one that's still strewn with moving materials and my usual packrattery. I walk around and look at the place with some confusion; I vaguely remember my ex helping me move into the place, and I feel guilty about having asked him to do so. But mostly I can't remember how I picked this place, or why. It's sufficient enough, and I'm digging the roomier bedroom, but as I walk outside onto the stoop, I see some things lining the stairs that I know are not mine, and that would seem to have belonged to a previous tenant.

There's an owl figurine, and some kind of dusty flowerpot. I get the distinct feeling — the fear — that the woman who lived here before me (I can feel that it's a woman) must have died in the apartment. I wonder how she died. And why I got to move in so quickly.

I am suddenly struck with another fear — how easy is this place to break into? I peer into the bedroom window and see my bed, and wonder who else could have been watching. I don't feel unsafe, necessarily, but I also feel like I might be at risk. Especially since I have no idea where these apartments are located and their reputation for safety. They seem nice enough, but looks can always deceive...

Then I remember my old apartment and can't recall ever giving my building manager any notice that I was going to be moving out. I imagine him and his wife walking into my empty, echoing living room and wondering where I've rudely run off to.

My name is Lindsey, and I have an inferiority complex

I am at Amber's place, only it's unlike any actual place she's ever lived in. It's more like a dorm or compound of sorts, where lots of people live crammed into a small space. There's sleeping bags and living accoutrement everywhere. I make my way to a small space behind a curtain — a dressing area perhaps — and hey, there's Chan Marshall (Cat Power), wearing all black. She sees me take a pair of green striped workout pants from my bag, and she gestures to them as if she recognizes them. I tell her they're my ex's.

A flicker of recognition passes over her face. "You're Lindsey," she says, as I realize she somehow knows Phil. She has some kind of muddled nearly British accent, which is weird, because she really doesn't.

"Who do you love now?" she asks me. A hundred thoughts flash through my head, but I tell her that I can't possibly get into that. It's too complicated.

The group — Chan, Amber, and a couple of unidentifiable people my brain sorta made up — heads out for a night on the town. I shove some piece of important paper into my back pocket, throw my purse over my shoulder, and hurry out the door. I feel rushed and unsure. We walk a few blocks (it feels like we are in the city, presumably New York, but what part, I have no idea; later it feels like we're back on Long Island) and get to this outdoor concert space where, apparently, Led Zeppelin is playing. We can't actually see the band, but we can hear them and we can see the lights reflecting off the partial walls around us. Wow, they sound just like they do on the albums I have. Hmm.

The concert venue is oddly shaped — there are big rectangular slabs of slate interrupting the flow of the place. I feel like I need to draw exactly what it looked like to accurately describe it. It doesn't really seem like a music venue at all, but more like a public park art sculpture. Occasionally, and to our subdued amusement, we will see the guitar player — Jimmy Page, presumably — walk on the slate walls for an extended length of time, and the round a corner out of our sight. Ordinarily, people walking on walls would creep me out, but it was a rock show, so it was awesome.

I realize that I don't think I locked my car. I just imagine random passersby trying the handle and being delighted when it opens. I fumble around in my enormous and noisy purse for my keys, and manage to accidentally dislodge the important paper in my back pocket. I quickly hit the lock button on my remote, in the hopes that I'm still within remote range. And then I see the piece of paper skitter along the ground toward a giant fountain. I run away from the group, which has more or less been ignoring me anyway (we don't know each other very well) and chase the piece of paper. Every time I grab at it, it lunges toward the fountain a little quicker. I just know the damn thing is going to end up in the fountain and I'm going to lose whatever essential info was on it. I can feel people watching me and silently judging my stupid ass. I make one final leap and nearly go careening into the fountain, but I catch myself and the note, and for one triumphant second, I don't care what people think.

But then I come back to reality and realize that I am a mess. I feel frazzled and disorganized and uncool and frumpy and unattractive and unworthy of hanging out with these new people (this is a feeling I often have in real life, yay). So I take off walking around this harbor/marina-type thing, gazing off into the misty distance, at the boats and the gulls and the ropes. It's beautiful, and I just sort of take it all in. I feel someone behind me, and turn to see it's Amber, who's come to check on me. She's following close behind me, mimicking my steps, trying to make me laugh.

The dream parade made a stop in my skull last night and the grand marshall was a demon who tried to possess me

You ever think that maybe certain locations are more fruitful when it comes to dreams? Like your brain feeds on the residue there -- if it can pick it up -- and just runs with the craziness?

I ask because any time I spend the night in my childhood bedroom, I seem to have lots of dreams, and some of them fill me with anxiety. Like, not run-of-the-mill anxiety, but life-and-death-of-my-soul anxiety.

So last night I'm having a sweet fix of a dream about a boy (whose reality I knew was hopeless to be had), when suddenly a metaphorical night falls on me and I feel hunted by evil forces. I wake up -- or do I? -- and realize that my mouth is slightly open and A) I am being observed by something malevolent and B) some evil force is possessing me by pushing itself into my open mouth. I can't move my body (damned night paralysis!) so I exhale to expel the evil -- and I make the craziest moan/growl noise in the process. But I feel the evil leaving me. My heart is racing and I lie there and wonder why I always have these horrible demon-related dreams at my parents' house. Because really, I can't think of a time when I've had a demon-related dream anywhere BUT my parents' house.

I finally fall back asleep (if I was truly awake at all) and go into another dream or two ... which I swear I remembered until I started typing this; maybe they will come to me and I can come back and fill this in (stay tuned).

...

And then I am sitting at a table with The Harmony Brothers -- the full quartet -- and I am apparently drunk. We're at some sort of celebration. I don't know that I've ever been drunk in a dream before, but I am totally drunk and unable to control the volume of voice. When I can focus long enough, I realize that Jeff and Jeremy are giving me the most humiliating looks I can possibly imagine -- it's pure disdain mixed with just a hint of embarrassment at how pathetic I am.

I realize that I shouldn't be around them so I scoop up Felix and run inside my parents' house -- much to Phil's protests about how of course I should be there -- and lock myself in the bedroom where there's a window overlooking the party and where Felix can roam around freely.

Back to England

I'm in a rickety cottage in the English countryside, marveling at how small the rooms are and how they have such different knick-knacks from those you'd find in an American house. The bedrooms contain no people (people seem to be gathered in the common areas of the house), but I sneak through them quietly, opening cabinets and peering at souvenirs on shelves. I note that everyone has a tiny black and white television in his bedroom (I seem to be in the house inhabited by a group of males), and one guy even has a collection of these weird small discs that play music in these tiny plastic music players. I kind of remember something like this back in the states several years ago, but it never really caught on.

A truck rumbles by on the dusty road just outside the window and I think to myself, I wonder if I lived here, if the thin walls would drive me crazy.

Back in the living room, Phil is there with a group of guys I don't know — presumably the people who live in the house. They don't seem British, but perhaps like American ex-pats. I say something to one of them and he insults me and laughs. I defend myself weakly.

Then we're in Phil's crappy car driving on a grassy hillside. The boys are talking about a car sale coming up, and how they're going to check it out. It finally sinks in that I am living in a whole new country now, and not just a whole new country, but a whole new universe.

Changing channels

I am at my parents', my dad's in the recliner watching a sporting event of some sort, and he calls me into the den because Phil is part of the teeming crowd, and the camera has zoomed in on him. My dad shushes everyone in the room as the announcer says, "And now we have a very special message from someone in the crowd," and the camera zooms in on the Jumbotron image of Phil, who starts to say something about a very special woman in his life...

I lean in to the television and try to turn the volume up, but the channel changes. I panic. Everyone in the room is all, "TURN IT BACK!!" I try going back to the channel, but I can't find it anywhere.