Last night I dreamed that CA columnist Geoff Calkins walked up to my computer to tell me something, and leaned over, and put his finger on the screen (just underneath the sign that says, "This screen with eat your fingers if you touch it") and rubbed it vigorously, the pixels swirling and going mad, as if to taunt me.
I screeched and smacked him in the face, which he didn't like very much.
Showing posts with label people you know. Show all posts
Showing posts with label people you know. Show all posts
9.26.2008
5.01.2008
Bad weather and a wedding
My father instructs me to get all gussied up; we're going to a wedding in less than an hour, and would I mind getting ready even earlier because we have to stop by the store for something on the way? The wedding is happening at the Parkers' house. I played softball with the Parker girls throughout my school years and we were always good friends (I've not seen or spoken to any of them in years; I don't think they're on Facebook). Apparently Faye (Jo Ann's mom) has cancer (that's true in real life) and even though Jo Ann just met this guy thirty minutes ago, they're getting married immediately and everyone's got to get dressed up to come to the house and watch it.
So I do my best to put my dress on and look pretty and it's tense because we're running late because of me. We pile into the car and my cousin Keri — a younger version of her — has to sit in my lap and I'm afraid she's getting mud on my skirt because she's just a kid.
The weather has started to get nasty out and we are trucking it over backwoods hills, topping them with no tires on the ground, screaming for my mother, who's driving, to be more careful each time we meet another speeding vehicle at the crest of the hill. We have so many close calls that eventually something happens and we're all exposed to the elements and we're wet and my hair is all effed up.
The sky is the heaviest color of dark grey, like it's ready to just flatten us all.
[][][]
I'm in a high rise, in what I've come to understand is my editor in chief's office. It's super swanky, with its own little breakfast stand and attendant in the lobby. There are jars of candy on the stand, as well as doughnuts. The office is sparsely decorated, but seems incredibly, frighteningly open because it's surrounded completely by giant plate glass windows. And glass for a ceiling. The storm is still raging outside and I wonder who would want to work in a place like this when the weather gets sour. I notice a small, black, high-walled, completely enclosed cubicle. It is there that the editor actually keeps his desk, I discern.
I imagine a tornado sucking the entire thing out the window and carrying it across the fields that surround the building.
So I do my best to put my dress on and look pretty and it's tense because we're running late because of me. We pile into the car and my cousin Keri — a younger version of her — has to sit in my lap and I'm afraid she's getting mud on my skirt because she's just a kid.
The weather has started to get nasty out and we are trucking it over backwoods hills, topping them with no tires on the ground, screaming for my mother, who's driving, to be more careful each time we meet another speeding vehicle at the crest of the hill. We have so many close calls that eventually something happens and we're all exposed to the elements and we're wet and my hair is all effed up.
The sky is the heaviest color of dark grey, like it's ready to just flatten us all.
[][][]
I'm in a high rise, in what I've come to understand is my editor in chief's office. It's super swanky, with its own little breakfast stand and attendant in the lobby. There are jars of candy on the stand, as well as doughnuts. The office is sparsely decorated, but seems incredibly, frighteningly open because it's surrounded completely by giant plate glass windows. And glass for a ceiling. The storm is still raging outside and I wonder who would want to work in a place like this when the weather gets sour. I notice a small, black, high-walled, completely enclosed cubicle. It is there that the editor actually keeps his desk, I discern.
I imagine a tornado sucking the entire thing out the window and carrying it across the fields that surround the building.
Labels:
anxiety,
being late,
building,
driving,
family,
people you know,
storm,
wedding
3.12.2008
Baby, my snake is a shark tonight
I had a long and meandering dream last night. I've mostly forgotten all the details, except this bit:
I'm hanging out with this guy I like, and we're just sort of sitting there, kind of facing each other casually. There's not a lot of distance between us. I'm petting my cat Jack, and Jack goes in for some headbutt nuzzle action, and I oblige for a minute. And then I just sort of lean over and kiss the guy straight on the mouth. He seems surprised, but not weirded out at all. In fact, I begin to hesitate and apologize for being so forward, but he tells me, no, it's totally cool. Really. And he kisses me back.
It's a good kiss, too.
I'm hanging out with this guy I like, and we're just sort of sitting there, kind of facing each other casually. There's not a lot of distance between us. I'm petting my cat Jack, and Jack goes in for some headbutt nuzzle action, and I oblige for a minute. And then I just sort of lean over and kiss the guy straight on the mouth. He seems surprised, but not weirded out at all. In fact, I begin to hesitate and apologize for being so forward, but he tells me, no, it's totally cool. Really. And he kisses me back.
It's a good kiss, too.
8.11.2007
I Don't Speak Jazz
I was playing in my old high school band at a carnival at night. Lindsey Turner was sitting beside me with her trombone. Mr. Haffly was directing, and he kept telling Lindsey to be quiet and behave. But she was comical and agitated - like she had just slammed twelve shots of espresso. Lindsey kept pushing her luck and sniping under her breath. He finally ordered her out of the ensemble and to the equivalent of the carnival's "principal's office." She sat there a second and then said, "Really?" but he was serious. I grabbed her sleeve as she passed and whispered, "Meet me outside and I'll drive you home!" Then Haffly told me to be quiet.
Then I was slogging through the carnival looking for Lindsey. The ground was muddy and wet and the cuffs of my jeans were being dragged through the muck. My feet felt wet. I walked all over the carnival grounds, inside and outside the fence. I had a companion, but I don't know who it was. "Where the hell is Lindsey?!" I kept saying. My companion said, "She's with Phil - way over there. Look!" I looked across a great big field and there was Phil, walking through waist-high weeds at night. "Hey, Phil, is Lindsey with you?!" I yelled. "No!" He hollered back and kept trucking. "Why the hell is Phil in that field?" I asked my companion. "Because he's a hiker," Companion replied.
Suddenly I was walking with my sax, so I started improvving while I was looking for Lindsey. I walked past a fence gate, noodling around the "All I Know Is Tonight" tune by Jaga Jazzist, and I walked right past Mrs. Haffly. I didn't realize it was her til I passed her and she said, "Hel-LO?!" I turned and she was glaring at me like, "What the hell?!" I turned and said, "Hey! How are you!" but then I remembered that she was mad at me because I skipped my lesson that day. Steve Haffly sidled up and asked, "Cindy, how did Tamara do at her audition?" and she replied, "She did awful. She informed the judge that jazz is another language and she doesn't speak it." I was appalled. "HEY!" I started to yell, but she walked away. "I did not!" I called after her, and Companion led me away to find Lindsey. My sax was suddenly gone. We rounded a warehouse and I found Lindsey and Mrs. Haffly with their arms around each other heading into the warehouse to hang out with everyone else. "There she is!" I said to Companion, and headed in. "Hey!" I said to Lindsey, and she gave Mrs. Haffly a funny look. Mrs. Haffly said, "Egotistical bitch!" I asked Lindsey who she meant and Lindsey shrugged. "Where were you?" I asked. "Around. Cindy is mad because all three of her female sax players skipped their lessons today." I felt awful. Then Mrs. Haffly walked back by and she said, "Tamara, if you want to do your lesson tomorrow I will drive you home." I smiled, "Okay, sounds good!' I felt relieved.
Then the dream segued into a long storyline about electricity and muddy trails that I can't recall now.
Then Alicia came running in to a doorway, crying hysterically. I asked her what the matter was, and she replied, "A lot is the matter!" And I followed her outside and the wheel to her father's maroon Buick that she's using while her car is in the shop has turned sideways and been pushed out from under the car like the axle had snapped into.
If you'd ever ridden in this car, you'd know why I dreamt that.
Then I was slogging through the carnival looking for Lindsey. The ground was muddy and wet and the cuffs of my jeans were being dragged through the muck. My feet felt wet. I walked all over the carnival grounds, inside and outside the fence. I had a companion, but I don't know who it was. "Where the hell is Lindsey?!" I kept saying. My companion said, "She's with Phil - way over there. Look!" I looked across a great big field and there was Phil, walking through waist-high weeds at night. "Hey, Phil, is Lindsey with you?!" I yelled. "No!" He hollered back and kept trucking. "Why the hell is Phil in that field?" I asked my companion. "Because he's a hiker," Companion replied.
Suddenly I was walking with my sax, so I started improvving while I was looking for Lindsey. I walked past a fence gate, noodling around the "All I Know Is Tonight" tune by Jaga Jazzist, and I walked right past Mrs. Haffly. I didn't realize it was her til I passed her and she said, "Hel-LO?!" I turned and she was glaring at me like, "What the hell?!" I turned and said, "Hey! How are you!" but then I remembered that she was mad at me because I skipped my lesson that day. Steve Haffly sidled up and asked, "Cindy, how did Tamara do at her audition?" and she replied, "She did awful. She informed the judge that jazz is another language and she doesn't speak it." I was appalled. "HEY!" I started to yell, but she walked away. "I did not!" I called after her, and Companion led me away to find Lindsey. My sax was suddenly gone. We rounded a warehouse and I found Lindsey and Mrs. Haffly with their arms around each other heading into the warehouse to hang out with everyone else. "There she is!" I said to Companion, and headed in. "Hey!" I said to Lindsey, and she gave Mrs. Haffly a funny look. Mrs. Haffly said, "Egotistical bitch!" I asked Lindsey who she meant and Lindsey shrugged. "Where were you?" I asked. "Around. Cindy is mad because all three of her female sax players skipped their lessons today." I felt awful. Then Mrs. Haffly walked back by and she said, "Tamara, if you want to do your lesson tomorrow I will drive you home." I smiled, "Okay, sounds good!' I felt relieved.
Then the dream segued into a long storyline about electricity and muddy trails that I can't recall now.
Then Alicia came running in to a doorway, crying hysterically. I asked her what the matter was, and she replied, "A lot is the matter!" And I followed her outside and the wheel to her father's maroon Buick that she's using while her car is in the shop has turned sideways and been pushed out from under the car like the axle had snapped into.
If you'd ever ridden in this car, you'd know why I dreamt that.
Labels:
Alicia,
band,
band directors,
car trouble,
carnivals,
electricity,
high school,
improvisation,
Lindsey Turner,
mud,
people you know,
saxophones
2.21.2007
Chain of Fools
I blame Craig Brewer and Lindsey Turner.
Before I dozed off into beddy-bye land, I caught a dose of Mr. Brewer's Dirty South blaxploitation pic Black Snake Moan (released on March 2 with Justin Timberlake!), which features Christina Ricci chained to a rusty radiator. I also read a snarky e-mail by one Ms. Turner, a lethal double decker combo, my friend.
As luck would have it, I dreamt of Ms. Turner attached to a rusty 20-foot chain.
I don't remember much else except that an Al-Jazeera version of Johnny Cash was somehow involved.
Before I dozed off into beddy-bye land, I caught a dose of Mr. Brewer's Dirty South blaxploitation pic Black Snake Moan (released on March 2 with Justin Timberlake!), which features Christina Ricci chained to a rusty radiator. I also read a snarky e-mail by one Ms. Turner, a lethal double decker combo, my friend.
As luck would have it, I dreamt of Ms. Turner attached to a rusty 20-foot chain.
I don't remember much else except that an Al-Jazeera version of Johnny Cash was somehow involved.
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